Sometimes, you need to obscure the face of a person, be it for legal or aesthetic reasons. In this episode, we’ll do just that using a very special technique.

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This is the second of several episodes covering a workflow for using Red Digital Cinema Cameras with your Avid editing application.

In this episode, we’ll take a sequence that was offline edited in Avid Media Composer and onform it to 4K DPX files for grading. For this, we’ll use Monkey Extract.

Sorry for being late with this one, but I was not at home and couldn’t remote into my computer to upload the podcast. My bad.

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This is the first of several episodes covering a workflow for using Red Digital Cinema Cameras with your Avid editing application.

In this episode, we’ll convert R3D footage to DNxHD MXF files for offline editing. For this, we’ll use Avid’s Metafuze. Then, we’ll quickly import the files into the Avid, so you can edit away!

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